{"id":1998,"date":"2016-01-20T16:21:07","date_gmt":"2016-01-20T15:21:07","guid":{"rendered":"http:\/\/fondationrilke.ch\/en\/?p=1998"},"modified":"2016-01-28T00:01:49","modified_gmt":"2016-01-27T23:01:49","slug":"lecture-by-philippe-albera-march-1-2015","status":"publish","type":"post","link":"https:\/\/rilke1.destinazio.info\/en\/lecture-by-philippe-albera-march-1-2015\/","title":{"rendered":"Lecture by Philippe Alb\u00e8ra, March 1, 2015"},"content":{"rendered":"
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Philippe Alb\u00e8ra is professor of music history and theory at the Conservatoire de Lausanne and professor of aesthetics and 20th<\/sup>-century music theory at the Conservatoire de Gen\u00e8ve. Founder of Editions Contrechamps, in 2007 he published a collection of texts and essays under the title Sound and Meaning \u2013 Essays on the Music of Our Time (Le Son et le Sens – Essais sur la musique de notre temps).<\/em><\/p>\n

\u00ab \u2026UNE AMPLE M\u00c9LODIE, TISS\u00c9E DE MILLE VOIX\u2026 \u00bb
\nUNE LECTURE MUSICALE DE RILKE \/ \u201cUNE AMPLE M\u00c9LODIE, TISS\u00c9E DE MILLE VOIX.\u201d A MUSICAL READING OF RILKE<\/p><\/blockquote>\n

Music and poetry have a long history in common. Throughout the twentieth century, their relation has been one of exchange and experimentation. Some poets and composers have broken with the traditional imitative connection, however, refiguring ties between verbal or musical phrases and feeling, between music and the poem. Stefano Gervasoni, to take one example has remained attentive to texts\u2019 semantic dimension. He focuses, in numerous vocal pieces, on excavating the meaning(s) of select poems to bring to light their many complexities and ambiguities. It is thus unsurprising that he has twice set Rilke\u2019s texts to music. He helps us hear what Rilke called \u201cthe melody of things.\u201d<\/em><\/p>\n

Audio recording<\/h3>\n

Lecture in French
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<\/div>\n","protected":false},"excerpt":{"rendered":"
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Philippe Alb\u00e8ra is professor of music history and theory at the Conservatoire de Lausanne and professor of aesthetics and 20th-century music theory at the Conservatoire de Gen\u00e8ve. Founder of Editions Contrechamps, in 2007 he published a collection of texts and essays under the title Sound and Meaning \u2013 Essays on the Music of Our Time (Le Son et le Sens –<\/em><\/p>\n<\/div>\n

…<\/span><\/p>\n

Read more ›<\/a><\/div>\n

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