{"id":2009,"date":"2016-01-20T16:32:55","date_gmt":"2016-01-20T15:32:55","guid":{"rendered":"http:\/\/fondationrilke.ch\/en\/?p=2009"},"modified":"2024-01-11T13:59:04","modified_gmt":"2024-01-11T12:59:04","slug":"lecture-by-christoph-koenig-june-21-2015","status":"publish","type":"post","link":"https:\/\/rilke1.destinazio.info\/en\/lecture-by-christoph-koenig-june-21-2015\/","title":{"rendered":"Lecture by Christoph K\u00f6nig, June 21, 2015"},"content":{"rendered":"
\nChristoph K\u00f6nig is professor of German Literature at the University of Osnabr\u00fcck and a fellow at the Wissenschaftskolleg zu Berlin. His research focuses on questions of literary methodology and the historical and disciplinary conditions of interpretation. He has published a number of academic studies in German and French.<\/em><\/p>\n

LECTURES SCEPTIQUES DES \u00abSONNETS \u00c0 ORPH\u00c9E\u00bb DE RILKE \/ A SCEPTICAL READING OF RILKE\u2019S \u201cSONNETS TO ORPHEUS\u201d<\/p><\/blockquote>\n

Christoph K\u00f6nig will read from his most recent book, which takes as its theme the poem \u00abO komm und geh\u00bb (O come and go) from the Sonnets to Orpheus. His aim is twofold. He offers an interpretation of the poem while making manifest the conditions of his interpretation. His reading considers Rilke\u2019s idiomatic expressions, his idiosyncratic appropriation of the literary tradition, his correspondence, the 55 sonnets as his sonoric world and, most importantly, his poetry\u2019s self-reflexivity. He draws a novel picture of Rilke. In place of the popular, esoteric, philosophical, or mystical author, K\u00f6nig sets the skeptic, a poet whose oeuvre interrogates the very conditions of possibility of poetic knowledge become tangible.<\/p>\n

Audio recording<\/h3>\n

Lecture in French
\n

<\/div>\n","protected":false},"excerpt":{"rendered":"
\nChristoph K\u00f6nig is professor of German Literature at the University of Osnabr\u00fcck and a fellow at the Wissenschaftskolleg zu Berlin. His research focuses on questions of literary methodology and the historical and disciplinary conditions of interpretation. He has published a number of academic studies in German and French.<\/em><\/div>\n

…<\/span><\/p>\n

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